Chapter 19: Let's Just Get Along

          …one of my all-time favorite SIDzCarbonatedMilk songs. For me, this one has it all. It's a sound-test composition, combining Electronica, World Beat, Jazz piano and trumpet solos, my first recording with adult Sarah Jjira H., of my favorite glossolalia lyric interpretations, and plenty o’ sound f/x.

          I've made mentioned of my gear-lust being chemically-controlled by plug-ins. Well when I got my grubby little figurative hands on all the freebies out there in the cyber-alleys, I would stuff my hard-drives with them.

          The patch that was this song’s song-seed was a simple sawtooth patch—fifth-latch lagged with glissando. It was the right sound at the right creative spurt. As I often do when I program a patch or (as in this case) find an interesting one, I will mount the specimen as a rendered sequence. I later came across this patch and was inspired to sing a melody line to it. It remained in that embryonic state for a few years―until I gained the creative energy to finish the lyric.

Chapter 15: What’s It Gonna Take?

…is the second entry in the “Well Ain’t She Suite”.  It is yet another one of those test-songs of which I so often have made mention.  I’ve a tech-stuff addiction.  I salivate gazing at all the naked knobs on display in Vintage King® advert-inserts in my voluminous trade periodicals. …techno-porn for the gear-lustful.  I’ve managed to control it with plug-ins-patches; it’s music gear methadone.  I’ve had to ramp up my dosages with DSP accelerators like UAD-1, UAD-2, the Scope-Platform (now my Plugiator), T. C. Electronic’s Powercore, and Korg Oasys PCI.  While auditioning a modeled electric rigged guitar on the latter, I came up with this very convincing application of a riff.  The words and melody immediately followed.  However, I could never seem to build upon it enough to compose a radio playable length. It was shelved for several years.

          Building The Mμne-Pi Parables song list, I had added “I’m Faithful” as an follow up answer to the musical question posed in “Lies”.  Then I remembered “What’s It Gonna Take”; the lyrics work in, added to and fortified the story arc.  And soul of wit that its brevity is, it serves well as an interlude because of its short length.

What’s it gonna take to make you change your mind?

…all the things I’ve been telling you,

You think is just a line

But these times will be behind you soon

What’s it gonna take to make the truth divine?

Is it all about the signs?

You want to look no further than your eyes