Chapter 12: Da Hark-Side of the Mμne

Our music product, as opposed (though not necessarily juxtaposed) to Jazz Fusion—discussed in the last chapter, might be described as Idiomatic Fission.  Instead of merely fusing idiomatic slants, we endeavored to generate imaginative power by categorically splitting music and cinematic idioms.


As I have stated, as well as having been a Funk maven and admirer of Clintonian P-Funk growing up in the seventies, I had the pleasure of working with and learning from George Clinton in the studio.  During my pure civilian spectator days…uh, do not attempt to adjust your ready-o, there is nothing wrong.  We have taken control as to bring you this special show… MAKE MY FUNK THE P-FUNK.